PH

Collections

Two bodies of sculptural furniture, one shaped by fire and one by erosion. Every piece is unique and made by hand.

Collection I · 6 pieces

Ustio

Fire as process. Burned steel on mineral bases.

Blue, violet and amber heat tint on the backrest, Ustio Chair, by Paul Hardy

Ustio takes its name from the Latin ustio, the act of burning. Not as metaphor, but as method. Each piece is the direct result of fire applied to steel: plasma-cut edges left raw and open, controlled heat that oxidises the surface, chromatic shifts of blue, violet and amber that emerge from thermal stress and cannot be replicated. The marks are not applied. They are produced.

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Collection II · 5 pieces

Aetna

Patient subtraction. Sand, ash and rubble, carved by hand.

Close-up of the black sand grain where the backrest meets the seat, Aetna Chair, by Paul Hardy

Aetna begins with a question about time: what objects look like when form is not imposed but extracted. Each piece starts as a strict architectural archetype, a chair, a table, a stool, then is carved, chipped, pierced and eroded by hand until it oscillates between construction and ruin.

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